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Far fortalte at det var en okay oplevelse. Du ved, haln?s sikker. Ahlsn?s bliver ikke til at holde ud! Jeg vidste bare ikke hvad jeg skulle sige. Skal vi ikke spille pik sammen? En stor komiker bliver han sgu nok hzlsn?s. Han rejste sig op og stod foran mig. Hans underbukser bulede helt Sex m?desteder halsn?s og jeg trak dem ned og ud slap hans pik. M?dewteder fars stive pik. Og m?desyeder pegede lige mod Sex m?desteder halsn?s. Bare vent og se. Per havde pralet med at hans var 22 cm lang, men det skulle vise sig den kun var 17 cm. Men det var alligevel 2 cm mere end min. Se, men ikke andet. Det var helt vildt. Han satte sig bedre til rette og begyndte at slikke op og ned ad min 15 cm lange pik.

Hans tunge fandt mit pissehul og pressede mod det og det var for vildt. Jeg var i himmelriget og lod alle former for sanser haalsn?s fri. Det er skide godt. Hurtigt fik vi byttet plads. De trak sig sammen og blev til en utrolig kugle fyldt med sperm. Men hans pik var simpelthen for stor, for tyk og alt det der. Du var sgu helt vild for at sluge min pik! More recently with the Brazilian Music. The Argentine rock has a history. Charly Garcia, Spinetta, Litto Nebbia are almost mythical figures in many of the Hispanic-speaking countries. In jazz and its offshoots, many of its musicians have an important presence inside and outside the country, as Dino Saluzzi, Carlos Franzetti, and more recently Puente Celeste, Escalandrum, Gulherme Klein, among many others It is a whole high talented generation doing a new music, extremely rich and creative.

In Uruguay, despite being a such small country, with approximately 3 million people, its music doesn't stop to exist and grow. Besides other mixtures like Abuela Coca, and No te va a gustar. There are other sideways as Supervielle, pianist, who is member of 'Bajo Fondo', who has also a very creative solo project. Mauricio Urbal, an important Uruguayan musician, has been maintaining the label Tacauabe, and releasing most of the local production, including the talented Herman Klang www. An important aspect to highlight is the movement of Latin American musicians in the world, who take their music to centres like New York or Paris, and there they mix their music with other sounds, but without losing their identity.

This has already happened before in Cuba, Puerto Rico or Panama. They end up contributing to spread these songs in other territories. And often in our borders, we always have influences from our neighbours. In the North of Brazil, in the state of Para, we have the Caribbean influence in the guitars grupos guitarradas. And recently, young musicians from Sao Paulo begin to visit Argentina, Venezuela and Colombia looking for exchanges and partnerships. Although for me his music is even more touching and rich when he is just playing 'charango'. Follow the link to see a beautiful performance from him: Thus, it seems important to dialogue and exchange languages and influences, but it is also desirable to preserve something from yourself, from your roots.

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